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Hafez nazeri

The meaning of «hafez nazeri»

Hafez Nazeri (Persian: حافظ ناظری‎, Kurdish: حافز نازری ,Hafiz Nazerî‎[1][2]) is a Kurdish Iranian singer and composer. He is the son of Kurdish Iranian musician Shahram Nazeri.

The venues of Hafez's performances in North America included Los Angeles’ Kodak Theatre – the most highly attended Persian classical music concert outside of Iran – the Atlanta Symphony Hall and traveled to San Francisco, Washington, D.C., and Boston. Hafez's international appeal led to several invitations to speak at various media outlets, including radio stations such as KPBS, KPFK, KPFA, UC Berkeley Radio and NPR in the United States.

Broadcast interviews include a 9-minute on CNN’s Live From with Kyra Phillips (29 March 2006), BBC World Service's program, The Ticket with Mark Coles (4/26/06), a live appearance on the Fox Channel (10 March 2006), and an exclusive on ABC News, following a recent New York City performance.

In 2007, the Rumi Symphony Project, which is Hafez's most passionate and ambitious undertaking to date, culminated in a major work to celebrate the 800th anniversary of Rumi's birth. Deepak Chopra translated Rumi's poems for Nazeri's recording and wrote an introduction to the work.[3] The project was premiered in Los Angeles where it received nine standing ovations.[4]

In March 2014, Nazeri released Rumi Symphony Project: Untold, a chart-topping album featuring 42 Grammy Award-winning musicians.[5] The result of over 5000 hours of recording studio work, Untold is an attempt to represent the splendor of all creation. Steeped in both the improvisatory tradition of his native Iran and Western classical music’s rich harmonic structures, Nazeri takes a boundary-crossing approach, balancing the two and forging a “new sonic universe” altogether.[6]

In the words of the composer, "Untold is the first cycle of my Rumi Symphony Project and portrays the story of our universe from the dawn of time until the very end, through my eyes. It is composed of four distinct chapters that represent the cycles of our existence, and our journey through the seven stages of enlightenment.[7]

Featured throughout Untold is the Hafez, an instrument designed by Nazeri himself, which is a contemporary variation on the traditional Setar (Iranian long-necked lute). By adding two lower-pitched strings, Nazeri enriched the sound of the instrument (traditionally played in a monophonic fashion), allowing it to play both harmonic and melodic roles within its extended range.[8]

After the release of Hafez Nazeri's first album and the publication of his claims regarding his musical activities and education in the U.S., Sadjad Pourghanad was the first person to criticize him in HarmonyTalk journal. With the publication of Hafez Nazeri's second album, Hooshang Kamkar, his former music professor, published a disclosed letter in which he had severely criticized Hafez' composition and his propaganda for his work in Shargh Newspaper.[9]

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